Posts Tagged ‘UNFINISHED’

Posted: February 14th, 2016
Categories: UNFINISHED, material, message, shows, white
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Posted: June 18th, 2015
Categories: UNFINISHED, material
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BLOKDOK presentation by clary stolte & peter luining

image: peter luining / intervention 275 [giant radio button], 2015

dr. Oetker gelatin on canvas (20x20cm) studio installation 2014

on view at ‘You Have No Idea’  @ 6b Gallery (BE)

material

Methylcellulose

Gelatine

Methylhydroxyethylcellulose / MHEC

Polyvinylacetaat

Ethylacetaat / azijnzuur, alcohol

Plextol B / waterige dispersie van een thermoplastiche acrylpolymeer op basis van ethylacetaat en methylmethacrylaat

Polyvinylacetaathars / bindmiddel, oplosbaar in ethanol, tolueen en exeton. Viscositeit 4 tot 7m Pa/s

Kaliumsilicaat, Natriumsilicaat / waterglas

Polyvinylchloride / PVC

Polystyreen / PS

Polyurethaan / PUR

Polytetrafluoretheen / TEFLON

Polyetheentereftalaat / PET

Polymerisatie / het aaneenrijgen van kleine moleculen  (monomeren)  tot zeer grote moleculen

Thermoharder / een kunststof die onder druk en warmte slechts eenmaoig in een bepaade vorm gebracht kan worden

Thermoplast / een kunststof die herhaaldelijk on der druk en warmte vervormd kan worden

Modificeren / veranderen, omzetten d.mv. een chemische reactie

Hydrolyse / splitsing van een verbinding d.m.v. water

Macromoleculair / Macromoleculaire materialen ( polymeren) zijn stoffen die zijn opgebouwd uit macromoleculen (zeer grote moleculen) die weer zijn samengesteld uit kleinere moleculen (monomeren). Zeer groot betekent dat de moleculen van deze materialen 100 keer zo groot zijn als de moleculen van stoffen zoals water of keukenzout

Nivea Hair Care / Aqua, Sodium Laureth Sulfate, Cocamidopropyl, Betaine, PEG3, Distearate, Polyquatemium 10, Yucca Filamentosa, Paenonia, Officinalis, Niacinamide, Peg40 Hydrogenated, Castor Oil, Propylene Glycol, Otric Acid, Sodiym chloride, Sodium Benzoate, Parfum

Fructies shampoo / Water, Sodium Laureth Sulfate, Dimethicone, Cocamidopropyl Betain, Cocamide MIPA, Distearyl Ether, Sodium Chloride, Behenyl Alcohol, Laureth-2, PPG-5-Ceteth-20, Pyrus Malus (Apple) Fruit Extract, Fragrance, Sodium Methylparaben, Carbomer, DMDM Hydantoin, Niacinamide, Pyridoxine HCl, Guar Hydroxypropyltrimonium Chloride, Citric Acid, Saccharum Officinarum (Sugar Cane) Extract, Citrus Medica Limonum (Lemon) Peel Extract, Camellia Sinensis Leaf Extract

Elvive 2 in 1 – L’Oréal (2012)/ Aqua-Water, Sodium Laureth Sulfate, Dimethicone, Coco-Betaine, Cetyl Alcohol, Cocamide Mipa, Hydroxystearyl Cetyl Ether, Sodium Chloride, Niacinamide, Guar Hydroxypropyltrimonium Chloride, Tocopheryl Acetate, Sodium Methylparaben, Dmdm Hydantoin, Phenoxyethanol, Ppg-5-Ceteth-20, Magnesium Gluconate, Ethylparaben, Limonene, Panthenol, Benzyl Benzoate, Linalool, Benzyl Salicylate, Propylene Glycol, Propylparaben, Isobutylparaben, Carbomer, Citronellol, Butylphenyl Methylpropional, Methylparaben, Butylparaben, Hexyl Cinnamal, Parfum-Fragrance

Bubblicious – Bubblegum – Strawberry Splash (2012) / Suiker; Glucosestroop; Gom; Stabilisator: E422; Aroma’s; Voedingszuren: E296; E330; Emulgator: Soja Lecithine; Plantaardige Olie; Kleurstof: E129; Antioxydant: E321.

Katoen / Linea Pura: mako katoen, taglia

used 02 (2013) used canvas removed from frame pinned to wall 44x44cm

on view at ‘the logic of things’ @ galerie c. de vos, Aalst (BE)


liquid

liquid in plastic bag  (2013) studio views

left on table – acrylic paint and water in plastic bag
right on table - dish soap and water in plastic bag


aquarel paint and water in plastic bag on floor

aquarel paint and water in plastic bag on floor – Vishal, Haarlem, the Netherlands

Posted: September 5th, 2013
Categories: drawing, liquid, material, plastic, studio
Tags: , , , , , , , ,
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dcp 2

‘ik wordt’ Project of Johan De Wilde (image: drawing Johan De Wilde)

Voorkamer, Lier (BE)
19.05 – 07.07.13
http://www.voorkamer.be/

Clary Stolte / Dust Collecting Postcard 2 /

part of the series Dust Collecting Surfaces

Adhesive foil –  10 x 15 cm – @ ‘ik wordt’



Programma

18.05.13
20u - opening en boekvoorstelling ik wordt
22u - performance door Jens Brand

15.06.13
20u - rondleiding door Johan De Wilde
22u - vertoning The Great White Silence,
documentairefilm uit 1924 over de Britse Terra Nova poolexpeditie van 1910-1913
inschrijven aanbevolen via info@voorkamer.be

02.07.13
20u15 - vertoning The Great White Silence - Zomer in het Park
meer info: www.lierscultuurcentrum.be
 Johan De Wilde maakt verdichte tekeningen met vette  kleurpotloden op kartons in standaardformaten. 
Doorheen zijn tekeningen  lopen lijnen die herinneren aan de snelheid van filmbeelden. 

In het werk  van De Wilde beweegt echter niets; het ontstaat op terreinen waar geen  geluid nog doordringt, 

waar vormen en kleuren louter herinneringen zijn  aan vormen en kleuren. Via deze subtiele potloodtekeningen spreekt hij  

over de grote en kleine bewegingen van het leven. In de reeks Carte Blanche nodigde Voorkamer Johan De Wilde uit om  een presentatie te 

maken rond het persoonlijke vocabularium van de  kunstenaar. Op zijn beurt nodigde Johan De Wilde zijn kijkers uit om  deel uit te maken 

van en mee vorm te geven aan “zijn  solotentoonstelling” in de Heilige Geestsite te Lier.

Meer dan 140 kunstenaars en niet-kunstenaars formuleerden een  subjectieve associatie op het werk van De Wilde. 

Al deze bijdragen - een  ander beeldend werk, een voorwerp, een gedachte, een postzegel, een  filmfragment, de vage herinnering aan muziek of een geluid,

- worden  nu gepresenteerd samen met nieuwe werken van De Wilde zelf. De opzettelijk grammaticale fout in de titel ik wordt refereert dan ook naar 

vragen die Johan De Wilde al jaren bezig houden: Hoe gedraagt een kunstwerk zich bij anderen? Ben ik mijn werk?  

Wat doet de kijker precies als hij kijkt? En daarna? Wat zien de  duizenden bezoekers van de Sixtijnse kapel? Wat verwachten zij er te  

zien en waarom zijn zij daar?

Parallel aan de tentoonstelling verschijnt de gelijknamige publicatie ik wordt, een bundeling van de tekst- en beeldbijdragen, 

uitgegeven door Studio Luc Derycke (MER).

Als associatie op het werk van Johan De Wilde installeerden  Morrens & De Boe een kabinet aan de ingang van de tentoonstelling  

met werk van Birde Vanheerswynghels, Bits & Pieces, Cel Crabeels,  Chet Baker, Claire L. Evans, Clary Stolte, Étienne Léopold Trouvelot, 

Geert Goiris, Glenn Sorensen, Gustave Flaubert, Hans-Peter Feldmann, JCJ  Vanderheyden, Johan De Wilde, John Stezaker, Karel Schippers, 

Leïla  Brett, Michelangelo, Ori Gersht, Peter Fischli & David Weiss, Peter  Morrens, Rein Dufait, Richard Forster, Rik De Boe, Ruth van Beek, 

Ryan  Brown, Sylvie Monden en Wouter Coolens.
 
http://www.voorkamer.be/
 

study for antwerp

study for antwerp #12 @ factor 44,  antwerp –  March 2013

overview with hair gel

overview with studio views 2005 – 20011/30 sec. tracks / compilation 20 min. avi

Listed

PRECISE OPERATIONS – Factor 44, Antwerp

‘Study for Antwerp # 12 – from the series Studies for Antwerp

Table:

001325 READY MADE / MULTIPLE # 4 (2013) acrylic paint and plastic on cotton 100x100cm

Two elements on table

00827 White volumesurface 4 #1 (2008) folded paper 24x24cm

2013  Publishing: ‘clary stolte works and projects 2005-2013’ book A5, 48 pages

Wall (side by table):

001332 White frame (2013) cotton and frame 30x30cm

001327 READY MADE / MULTIPLE # 5 (2013) plastic lath, signed and numbered on backside

One white plate

Floor (side by table):

2 x studies for flat volumesurface 9 (prototype) 40×40

001322 Transparencydensity 3 # 6 (2013) wrapping foil on canvas 30x30cm

Floor (side by fire place):

2 boxes

2013 Publishing: ‘clary stolte studio views’ (2013) flyer A3 – 2 sided

2013 Publishing: ‘clary stolte studio views 2009-2013’ book A4, 24 pages, edition 100

Floor (side by door left to right):

001324 READY MADE / MULTIPLE # 6 (2013) sealed canvas, 90x90cm, signed and numbered on backside

001321 READY MADE / MULTIPLE # 9 (2013) ready made sealed canvas, 40x50cm, signed and numbered on backside

001320 READY MADE # 6a – 1/21(2013) sealed Chinese ready made canvas board, signed and number on backside, edition 22

001336 Substance 1 #3 (2013) one lt. hair gel on plastic 40x40cm

One white plate

Floor (round the corner)

001335 Studio views 2005 – 20011 / 30 sec. tracks / compilation 20 min.

Wall (backroom)

001334 Chewing gum on wall (2013) buble gum on wall

Patio (outside)

001320 READY MADE # 6a – 22 (2013) sealed Chinese ready made canvas board, signed and number on backside, edition 22

model 005/fos

The series  OPPERVLAKTES (surfaces / from 2005) consists of  8 paintings on which I apply thin layers of acrylic paint since 2005. Each painting started on a different time making it one work thicker and heavier than the other work. In 2007 the series were exhibited in the exhibition CONCRETE ZAKEN, Nieuwe Vide, Haarlem, the Netherlands, a group show curated by Jan Maarten Voskuil. The text below about the series OPPERVLAKTES, is written by Jan Maarten Voskuil for the catalog of this show. In the exhibition SLOW FREEZE, GEMAK, The  Hague,  the series will be exhibited again. This time presented on a table,  as part of the installation ‘Model 005/the function of the studio’ – SLOW FREEZE,  January 18 – March 2, 2013,  GEMAK, The Hague. Clary Stolte / 2013

OPPERVLAKTES – So lets take a piece of art serious and enter it openly. Let’s begin with what represents the most basic identity of painting: A white monochrome. For decades white paintings regularly appear in exhibitions. As an example, we do not take one but a series of paintings entitled Oppervlaktes (Surfaces). Usually a white painting is interpreted as a reference to the beginning and the end of art. But we can also look at a white painting as an independent work and not as a conceptual comment on painting. What are the intrinsic qualities of the work and do they exist? When we think of artists immediately the name Robert Ryman appears but Ryman has a very personal handwriting which is not the idea of concrete painting we would like to discuss. More concretely the zero artists of the sixties are confronting us with monochrome white painting. They use not only the conceptual meaning of white (zero), but they also use its intrinsic quality. White reflects all colours and mirrors the light to its full extent. In the series Oppervlaktes the entry of light is surely one of the qualities of the work. Here it is about identical bright white canvases. When you study this further you can see the canvases are not entirely identical. Close inspection betrays a minimal difference in the structure of the surface and gloss between the works. However smooth the works have been painted, a brush visibly has been used. Along the edges minimal differences are visible especially when you lift the painting (unfortunately this usually is not allowed at exhibitions), then you feel the real difference. One canvas is much heavier than the other. The weight is because of the amount of paint used, not because of the stretcher or the canvas. One painting can contain 10s of 100s of layers of paint while another work very few. Once you have the canvas in your hand, it is impossible to see the works as equal anymore. The works gain identity by touching them, holding them or studying them. You could say something becomes something when it is noticed. In the series Oppervlaktes, the meanings are about subtle differences in weight structure and luminosity because many layers over a long period of time have been applied to the painting. The consistency and dedication of the artist plays an important role in the background. Even when you do not know who made it. The fact that someone made this effort indicates that natural forces were at work. Jan Maarten Voskuil, catalog Concrete Zaken / 2007

white book

WHITE BOOK - fingerprints collecting book part of the series WHITE DOCUMENTS

- start collecting fingerprints by holding the book -

001245 / book A5 / 12 empty pages / 3 x A4 – 1 fold line – ivory cardboard / signed and numbered on backside

© clary stolte 2012 - book launch follows

Posted: December 12th, 2012
Categories: UNFINISHED, white documents
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dust collecting postcard


Part of the series Dust Collecting Surfaces / remove grid layer to start collecting dust

001244-01 Adhesive foil 10 x 15 cm © clary stolte 2012

Secret Postcards: November 17-25 @ The Jan van Eyck Academie, the Netherlands

DAMAGED #8 phase 2&3

DAMAGED #8 – (museum damage – nose prints on surface of shampoo painting)

back to phase 1



phase 2

1  – 4   start of  second layer fresh substance – shampoo

5 – 6  shampoo surface completed

7 covering the painting to dry – protecting the wet surface for dust

8   waiting for phase 3


phase 3

1  – 7  third layer shampoo added to surface

8  waiting for phase 4





Posted: September 29th, 2012
Categories: damaged
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dust collecting surface

dust collecting surface – dcs – udderointment on paper

clary stolte projects



flyer – 2012

Posted: June 19th, 2012
Categories: message
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damaged #8

DAMAGED  #8 – phase 1 (museum damage  – nose prints on surface of shampoo painting)


1 – 2   the painting returns from the museum: 00603 UNFINISHED 2 #3 – shampoo on canvas – 40 x 40 cm

3 – 6  damage: nose prints on shampoo surface

3 – 7  nose prints on surface

8 – 9  preparing for the first phase of the restauration

10  the nose prints filled with fresh substance – shampoo

11 cleaning the surface – removing dust

12  refill of the nose prints with fresh shampoo

13 – 14  covering the painting to dry – protecting the wet surface for dust

15   waiting for phase 2



Posted: May 22nd, 2012
Categories: damaged
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studio

chewing gum

01

02

03

04

Posted: December 20th, 2011
Categories: UNFINISHED, bubble gum, material
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gel

SUBSTANCE 1 – 500 lt. hairgel

1min./part1 http://www.clarystolte.nl/gel/

2 min./ part1+2     http://www.clarystolte.nl/gel1.html

Posted: November 9th, 2011
Categories: AVI, UNFINISHED, film, material, registration, studio
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chewing gum 2

smoke paintings

Posted: August 23rd, 2011
Categories: UNFINISHED, film, material
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pick up

unfinished #9

book project

click photo to enter project

UNFINISHED # 9

Posted: August 11th, 2011
Categories: UNFINISHED, material, storage, studio
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unfinished

Posted: April 21st, 2011
Categories: material, plastic, studio
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studio

small tape

Posted: December 14th, 2010
Categories: TAPE, UNFINISHED, material, studio
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tape

UNFINISHED / interview online

UNFINISHED

“Visual Discrepancies + Clary Stolte in converstion with Brent Hallard, Tokyo, Japan”

click here to read the whole interview  UNFINISHED

Posted: August 15th, 2010
Categories: UNFINISHED, message
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