clary.nl

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SUBSTANCE 1 – 500 lt. hairgel

1min./part1 http://www.clarystolte.nl/gel/

2 min./ part1+2     http://www.clarystolte.nl/gel1.html

Curating project

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clary stolte – punctuated planes – 1 / 10 – acrylic ink on paper -  A4

book project

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UNFINISHED # 9

PAPERBACK MONOGRAPH # 03 – 2010 CLARY STOLTE

Text: Tom van den Berge – Dutch / English text

Photography: Edo Kuipers, DigiDaan.

Edition: Galerie van den Berge, the Netherlands

Paperback monograph # 03.pdf

THE FUNCTION OF THE STUDIO Written by Daniel Buren January 1971

Personal

When I was very young (seventeen) I began a study on painting in the Provence from Cezanne to Picasso(specifically, on the influences of the geographical place on the works). To bring this work to a satisfactory conclusion, I not only scoured southwest France, I also visited a large number of artists in their studios.My visits took me from the youngest artists to the oldest, from total unknowns to the most well-known. What struck me, first, was the diversity of the work, followed by its quality, richness and particularly reality, that is to say ‘sincerity’ independent of who the artist was or what his reputation was. I mean ‘reality/sincerity’ not only in regard to the author and his workplace, but also in relation to the environment, the landscape.
A bit later, I visited the exhibitions of the artists I had met, one after the other, and there my amazement blurred, even sometimes totally disappeared, as if the works I had seen in the studios were no longer the same or even made by the same person. Torn from their context, one could say from their environment, they lost their sense, their life. It was as if they became ‘frauds’. I didn’t immediately understand very well (far from it) what was happening, nor the reason for my disillusion.
One single thing became certain, and that was deception. Several of these artists I saw several times, and each time the gap between their studios and the walls in Paris became more accentuated for me, up to the point that it became impossible for me to continue visiting their studios and their exhibitions. From that time on, something irreparable was shattered, although the reasons for this were confused.
Later, I repeated the same disastrous experience with friends of my generation, even though the profound ‘reality / sincerity’ of the work was closer to me. This ‘loss’ of the object, this degradation of the interest for a work out of its context- as if an energy essential to its existence disappeared as soon as the threshold of the studio was crossed- was starting to preoccupy me enormously. The sensation that the essence of the work gets lost somewhere between the place where it is produced (the studio) and the place where it is consumed (the exhibition) pushed me extremely early on to pose the problem of the signification of the place of the work for myself. A little later, I understood that what got lost, what most surely got lost was the work’s reality, its ‘sincerity’, that is, its connection to its place of creation, the studio- a place where
finished works intermingle with works in the process of being made, works that will never be finished, sketches, etc. All these trace, visible at the same time, allow the comprehension of the work underway, which the museum definitely extinguishes in its desire to ‘install’.
Doesn’t one speak, by the way, more and more of an ‘installation’ instead of an ‘exhibition’ ? And isn’t that which is installed close to establishing itself?

Historical

In my opinion, Constantin Brancusi was the only artist who proved to have real intelligence when it comes to the museum system and its consequences. Moreover, he tried to conquer it, that is, tried to avoid that his work become rooted there, to make it impossible to settle it according to the whim of the current curator. Indeed, by bequeathing a major part of his work under the reservation that it was to be kept as it was in the studio where it originated, Brancusi cut short once and for all its dispersion, as well as any speculation Furthermore, this offered any visitor exactly the same viewpoint as his own at the time of production. Thus Brancusi was the only artist who, even if he worked in the studio and was aware of the fact that his work was closest to its ‘sincerity’ there, took the risk – preserving the relationship between the work and the place where it was made – of confirming ‘ad vitam’ his production in the spot that saw its origin. Among other things, he thus shortcut the Museum and its desire to classify, beautify, select, and so on. The work remains visible the way it was produced, for better and for worse.
Therefore, Brancusi was also the only one who managed to safeguard the everyday character in his work, which the museum is anxious to take away from all that it exhibits. One could also say – but this would necessitate a longer study – that this fixing of the work in the sense that it is to be seen in the place where it was made has nothing to do with the ‘fixing’ as practiced by the museum on everything that is shown in it.
Brancusi also proved that the so-called purity of his works is neither less beautiful nor less interesting within the four wall of the artist’s studio, surrounded by various utensils, other works, some unfinished, others finished, than between the immaculate walls of aseptic museums. Whereby the entire production of art, both yesterday and today, is not only marked but preceded by the use of the studio as an essential, even sometimes unique place of creation, all my work derives from its abolition.

010-003

June 17, 2010 / Preparing for – IS BOX 25-25 -

- READY MADE # 2 – sealed Chinese ready made canvas board – edition 75

- IS comes to SNO – IS BOX containing work of 25 artists / curated by IS Projects

SNO 62 / Sydney Non Objective / 07.08.2010 – 29.08.2010

- READY MADE # 2a (4) – sealed Chinese ready made canvas board

EASY SHOW

KAMER LAAKKWARTIER

SEPTEMBER 16

http://kl-sb-easy.blogspot.com/

010-002

UNFINISHED

“Visual Discrepancies + Clary Stolte in converstion with Brent Hallard, Tokyo, Japan”

click here to read the whole interview  UNFINISHED

Alexandra Roozen http://www.alexandraroozen.com/ http://www.phoebus.nl/?KUNSTENAAR:roozen

Artists in Residence, Finland www.artists.fi/studio/balticsea/inaristud.html

Arts Council of Lapland http://www.artslap.fi/english/projektit_eng.htm

Arti www.arti.nl

Asim Chugtai Gallery www.asimchugtai.com

Galerie van den Berge www.galerievandenberge.nl

Bas Peeperkorn www.netechtdecors.nl

Beat Zoderer www.vonbartha.com/bzoderer

Bert Mebius www.bertmebius.nl

Beppie Tamminga www.tamminga-vaassen.nl

Billy Gruner http://www.sno.org.au/SNO_group_Gruner.html

Brent Hallard  http://www.brenthallard.com Visual Discrepancies

Buro Beeldende Kunst www.burobk.nl

Buro Empty / Reinier van Ewijk Projects  www.buroempty.com http://www.reiniervanewijkprojects.com/

Ccnoa www.ccnoa.org

DAG  http://www.dagberlin.de/contact.html

Digidaan www.digidaan.nl

Dave Meijer www.galerievandenberge.nl/nl-basis/nl-meijer.html

Dirk Jan Jager www.dirkjanjager.nl

Els Moes http://www.elsmoes.com/index.html

Emmy Beenken www.emmybeenken.nl

Eric de Nie http://www.ericdenie.nl/

Evi Vingerling www.evivingerling.com

Frank Halmans www.frankhalmans.nl

Frans van Tartwijk www.fransvantartwijk.nl

Galerie West www.galeriewest.nl

Geeske Bijker http://www.geeskebijker.nl/werk.html

Gerard Kodde www.musea.nu/mnkunstenaar.asp?artistnr=26450&vane=1&em=&meer=&sessionti=668145872

Gracia Khouw www.graciakhouw.nl

Guido Winkler http://www.guidowinkler.com

Hans Wilschut www.hanswilschut.com

Helen Smith http://www.ac4ca.net/pages/about/members.htm

Henriette van ‘t Hoog http://www.henriettevanthoog.nl/

Iemke van Dijk http://www.artnet.nu/mnexpo.asp?exponr=17506 http://is-projects.blogspot.com

In Situ galerie http://www.insitugallery.be/main.htm

Jan Maarten Voskuil www.janmaartenvoskuil.nl

Jan van der Ploeg http://www.gemeentemuseum.nl/index.php?id=034444 http://www.fuchs.nu/html/current/what/books/van_der_ploeg_2005.html

Jan van Munster www.janvanmunster.nl

Jasper van der Graaf http://www.galeries.nl/mnkunstenaar.asp?artistnr=8290&vane=1&em=&meer=&sessionti=431429518

John Tallman http://www.johntallman.com/ http://colorchunks.blogspot.com/

Jus Juchtmans http://www.jusjuchtmans.be/index.html

Katinka Lampe http://www.ronmandos.nl/artistpagina/lampe.htm

Kim Streur http://www.arttrack.nl/kimstreur/default.htm

Kamer Laakkwartier http://home.wanadoo.nl/mchl/kamer/index.htm

Kees Visser http://www.galeriewijzer.nl/rob/kunstenaars/visser.html

Klaas Kloosterboer http://www.galerievangelder.com/artists/kloosterboer2.html

Kyle Jenkins  http://www.sno.org.au/SNO_group_Jenkins.html http://www.ccnoa.org/spip.php?auteur33&lang=nl

Kunstruimte09 www.kunstruimte90,nl

Leopoldine Roux http://www.leopoldineroux.com/

Le Petit Port http://www.lepetitport.nl/

Machiel van Soest http://home.wanadoo.nl/mchl/ http://sobabeograd.blogspot.com/ http://machielvansoest.tk/ http://beograd-denhaag.tk/

Maike Mei Lan www.maikemeilan.com

Marcel Zalme http://www.galerievandenberge.nl/nl-basis/nl-zalme.html

Marc Nagtzaam http://www.galerievandenberge.nl/nl-basis/nl-nagtzaam.html

MariaMaria www.mariamaria.nl

Marie Jose Hoeboer http://www.galerievandenberge.nl/nl-basis/nl-hoeboer.html

Marie Jose Sondeijker http://www.galeriewest.nl/site.php?idsub=info http://blogger.xs4all.nl/chmkoome/archive/2007/07/27/263899.aspx

Mark de Weijer www.markdeweijer.nl

Lizan Freijsen www.lizanfreijsen.com

Martijn Schuppers www.schuppers.com http://www.vousetesici.nl/index.php?page=artists&id=19 http://www.insitugallery.be/archive/prev_schuppers.html

Mat Vaassen www.tamminga-vaassen.nl

Matthew Deleget http://www.matthewdeleget.com

Mattijs van den Bosch http://www.xs4all.nl/~mattijsb/

Maurice van Tellingen www.mauricevantellingen.nl

Mirjam Hagoort www.mirjamhagoort.nl http://www.galerievandenberge.nl/nl-basis/nl-hagoort.html http://www.kunstinzicht.nl/presentatie/mirjamhagoort19886.html

Nanda Runge http://homepage.mac.com/nandarunge/PhotoAlbum12.html

Nele Buys http://www.urbanmag.be/artikel/1181/publieksparticipatie-op-automatische-piloot http://www.insitugallery.be/archive/prev_belanger_thomas.html

Nieuwe Vide www.nieuwevide.nl

Outline www.outlineamsterdam.nl

Peter Luining www.ctrlaltdel.org www.ctrlaltdelete.org www.luining.com http://www.lfoundation.org http://www.dnvorscher.org http://www.ctrlaltdel.org/about100windows.html http://www.artificial.dk/articles/luining.htm

Peter Morrens http://users.skynet.be/fb573802/root/pm.htm http://www.voorkamer.com

Petra Mesman http://www.arti.nl/cgi-bin/artitentoon.pl?action=archief&nummer=3

Phoebus http://www.phoebus.nl/frames.html

Pietsjanke Fokkema www.pietsjankefokkema.nl http://www.nieuwevide.nl/content/tentoonstelling_kunstenaar.php?id_k=122&id_t=91 http://meisjesschool.weblog.nl/meisjesschool/2007/09/etalagegalerie_.html

PS www.psprojectspace.nl

Radboud Mens http://www.radboudmens.com http://www.teleac.nl/digitalekunst/pagina.jsp?nr=102124 http://www.nieuwevide.nl/content/tentoonstelling_overzicht.php?id_t=90

RC de Ruimte www.rcderuimte.com

RDSA  www.rdsa.be http://www.danda.be/home/

Rene Eicke http://www.galeries.nl/mnkunstenaar.asp?artistnr=4454&vane=1&em=&meer=&sessionti=431429524 http://www.galeriebesselaar.nl/

Richard van der Aa  www.richardvanderaa.com http://www.parisconcret.org

Rom Gaastra http://www.galeries.nl/mnkunstenaar.asp?artistnr=23654&vane=1&em=&meer=&sessionti=805701363 http://www.kunst-und-kultur.de/Museumsdatenbank/show/m_o_ausstellung.php/666

Rossana Martinez www.rossanamartinez-artandlife.blogspot.com

Rita Klaucke www.ritaklaucke.nl

Sabina Worner http://www.galerie-prestel.de/sb.htm www.sabinawoerner.com

AMC kunstcollectie http://www.amc.nl/index.cfm?sid=215 http://museum.nl/MUSEUMnl/handler.cfm?event=museum&id=00D4886D-1657-47D7-8570-6569C0CF72E1&collectie=long

Sander Haccou http://www.galeries.nl/mnexpo.asp?exponr=3316

Sarah Keighery http://mop.org.au/satellite.html

Schilte en Portielje http://www.vanwijngaardenhakkens.nl http://www.galerievandenberge.nl/nl-basis/nl-nu.html

SNO Sydney http://www.sno.org.au

Svenja Kaufman http://www.svenjakaufmann.nl/sk/?cat=6

Sybille Pattschek http://www.galerievandenberge.nl/nl-basis/nl-pattschek.html

Tilman www.lookawry.com www.ccnoa.org

Tom Benson www.tombenson.net http://www.ccnoa.org/spip.php?auteur116

Van der Waals en Zeinstra Architecten http://www.vanderwaalszeinstra.nl

Ton van Kints http://www.galerievandenberge.nl/nl-basis/nl-kints.html

Vrije Academie Den Haag www.vrijeacademie.org

Veronika Veit http://www.veronika-veit.com

Verschijning www.deverschijning.nl

Vos en van der Veen http://www.vosenvanderveen.nl

W.J.M.Kok http://www.galerievangelder.com/artists/kok2.html

Wido Blokland http://www.picknickeiland.nl/wido/startpag.htm

Willum Geerts http://www.kunstbus.nl/verklaringen/willum+geerts.html

Willy de Sauter www.willydesauter.be

Wolfgang Ellenrieder http://www.wolfgang-ellenrieder.de

Zan van Alderwegen http://www.photonet.nl/zan

CLARY.NL has a new interface starting in July 2010.

The coming time this website will be updated within the new interface.

The old website is still available at www.clary.nl/old

Methylcellulose

Gelatine

Methylhydroxyethylcellulose / MHEC

Polyvinylacetaat

Ethylacetaat / azijnzuur, alcohol

Plextol B / waterige dispersie van een thermoplastiche acrylpolymeer op basis van ethylacetaat en methylmethacrylaat

Polyvinylacetaathars / bindmiddel, oplosbaar in ethanol, tolueen en exeton. Viscositeit 4 tot 7m Pa/s

Kaliumsilicaat, Natriumsilicaat / waterglas

Polyvinylchloride / PVC

Polystyreen / PS

Polyurethaan / PUR

Polytetrafluoretheen / TEFLON

Polyetheentereftalaat / PET

Polymerisatie / het aaneenrijgen van kleine moleculen  (monomeren)  tot zeer grote moleculen

Thermoharder / een kunststof die onder druk en warmte slechts eenmaoig in een bepaade vorm gebracht kan worden

Thermoplast / een kunststof die herhaaldelijk on der druk en warmte vervormd kan worden

Modificeren / veranderen, omzetten d.mv. een chemische reactie

Hydrolyse / splitsing van een verbinding d.m.v. water

Macromoleculair / Macrooleculaire materialen ( polymeren) zijn stoffen die zijn opgebouwd uit macromoleculen (zeer grote moleculen) die weer zijn samengesteld uit kleinere moleculen (monomeren). Zeer groot betekent dat de moleculen van deze materialen 100 keer zo groot zijn als de moleculen van stoffen zoals water of keukenzout

Nivea Hair Care / Aqua, Sodium Laureth Sulfate, Cocamidopropyl, Betaine, PEG3, Distearate, Polyquatemium 10, Yucca Filamentosa, Paenonia, Officinalis, Niacinamide, Peg40 Hydrogenated, Castor Oil, Propylene Glycol, Otric Acid, Sodiym chloride, Sodium Benzoate, Parfum

Fructies /

Elvive 2 in 1 /